Read more about Jeremy’s electronic journey….
Jeremy dePrisco writes and produces music and designs sound for album projects, theatre and digital media. With over 20 years of work in music and production, dePrisco has produced six solo albums since 1999, and has done either composition or sound design for 24 theatre productions – many with collaborator Dr. Stephen Schrum (Penn State, Univ. of Charleston, Univ. of Pitt), and James H. Slusser (Bloomsburg University Alumni Players).
Growing up around his father’s amateur radio and electronics experiments and Rolling Stones LPs, dePrisco inherited an interest in music and the science of sound from an early age. In fact, music was a family affair, starting with grandmother Francine (Trago) dePrisco who performed Gospel on local television in Wilmington, Delaware.
dePrisco’s influences range from progressive rock (Jethro Tull, Pink Floyd) to the folk and protest music of the 60s and 70s (particularly Cat Stevens, with whom he shares many traits), and acoustic blues. While playing with community orchestras on string bass, dePrisco acquired an interest in many styles of music outside of the rock genre, which later led to a tour with The Bodó Band, a Hungarian folk group. Later he recorded an album with Bengali tabla player Mostafizur “Bulu” Rahman.
Some of his notable theatrical accomplishments include original music for Euripides’ Iphigenia and Henrik Ibsen’s Peer Gynt. He also composed music for Schrum’s original play Immaculate Misconceptions: Tales of Catholic School. Some of dePrisco’s songs were used for Compassion Moves, a multi-disciplinary dance/music/poetry community piece directed by Anthony Ferro, Assistant Professor of Ballet at Marymount Manhattan College. With such varied projects, one can easily see why cultural diversity is important to dePrisco, and this informs much of his work on stage and off. He currently serves as Secretary for the Bengal Association of Bloomsburg Area. This association has included work with South Indian dancer Shoba Kumar, Tagore singer Nandini Sengupta and tabla maestro Topan Modak.
As a composer, dePrisco began recording in 1989 with a 4-track cassette device, always with an ear toward experimentation. He continued to expand this interest with WVIA’s Homegrown Music, with producer George Graham and formidable experiences with friend and bassist Matt Homiak at Lebanon Valley College. Other recording credits include production for satirist Tom Dennehy. The digital revolution of the late 90s made it possible to continue this journey, feeding dePrisco’s insatiable love for recording, practically anywhere… any time. If there is any central idea behind dePrisco’s work, it is his mission to blend the best of the American roots tradition – music for the people – with modern production techniques. He has over 10 years experience working with MIDI and digital audio applications like Cakewalk Sonar and Propellerhead Reason (among others).
Since the early 90s, dePrisco has been an arts event producer throughout NE and Central PA. He has supported the Learning for Life capstone experience for Greenwood Friends School in Millville, PA and has conducted two interactive workshops there (Studio 101 and World of Guitar). Other experience includes grant writing, marketing, artist relations and volunteer work with American Cancer Society, Muscular Dystrophy Association, COMPEER, and Mental Health Association. He actively attends diversity conferences such as Bloomsburg University’s Sankofa and College Misercordia’s Diversity Institute and the Northeastern PA Diversity Education Consortium (NEPDEC) and the Bloomsburg University President’s “Conversation on Diversity” (2009). A member of the American Society of Composers, Authors & Publishers (ASCAP), dePrisco and has been an ASCAPLUS Award recipient from 1996 through 2010. ASCAPLUS is an awards program that provides cash and recognition to writers whose main activity is outside of broadcast media.
For years, dePrisco performed music from (or inspired by) the civil rights revolution of the 60s-70s, but he remained relatively apolitical in his own recorded music. The latest album by dePrisco, Chaos Rise Up was largely inspired by the Bush years and the ways in which media – particularly digital media – have impacted our lives. Part protest rock, part anthemic social commentary, Chaos Rise Up melds a dystopian view of technology with a critical reading of our responsibility to hold ourselves accountable for its use. The album draws from dePrisco’s rhetorical, leadership and social influence studies, and reflects on the “culture wars” that have preoccupied us for the past decade.
In 2009, dePrisco began performing with a small group of area musicians to develop a blues/roots act currently named The Anthony Avenue Ensemble. The group includes drummer David Eisenhower (who also performs on Chaos Rise Up), guitarist Michael Hickey, and Turkish-American percussionist Mehmet “Safa” Saracoglu. Today this group performs as Negodniki and features John Huckans on piano. In 2010-11 Jeremy and his wife Audra formed the duo Fricknadorable, which incorporates ukelele, percussion and features an expanded set list of Irish music, novelty songs and 80s hits.
In 2012 dePrisco received a Meet the Composer grant to work on Dog Assassin, a progressive rock musical by Schrum. The world premiere – with live musicians and singers – was produced at University of Pittsburgh at Greensburg campus.
“One of the finest blues/roots musicians in the region!”– Alabaster Coffee Roaster & Tea Co.
Offstage, dePrisco’s other interests include hiking, biking, digital photography and film, Sufi poetry, devising percussion out of junk, and virtual performance. dePrisco has even performed as soloist Thaylon Singh and with others in the virtual environment of Second Life.
Jeremy also works with web applications and software design. Working in the technology industry informs much of his creative work, and current projects include exploration of electronic music via his Internet radio program Signals with Shivasongster. Since 2010, Jeremy has been a performer, and presenter at electro-music.com’s annual festival. In November 2012 Jeremy started the Susquehanna Experimental Music and Sound Meetup to create a place for people to explore music technology.
In 2013 Jeremy moved to Millville, PA where he ran Pepperhead Studios (not to be confused with … Records). There, Jeremy recorded rock bands and produced original music by Paul Loomis (World Famous in Bloomsburg) and Michael Hickey (55 and Sunny) and Tanner Bingaman.
In 2019 Jeremy moved to Philadelphia where he performed as a solo electronic artist and with Fricknadorable. Jeremy also coordinated two performance stages for the Philly Maker Faire in 2019. In early 2020, Jeremy released the EP Humming With The Gods, which was funded by a successful Kickstarter program, and the virtual modular collection The Bernoulli Ensemble Vol. I.
Through 2020, Jeremy relied on his love for technology to perform online and assist others with the challenges of performing music virtually as the COVID pandemic took over the news. This included serving as technical director for the New York theatre collective at River Arts during their production of 6 Feet, a Zoom play by Melanie Hoopes.
During the COVID lockdowns, Jeremy turned his attention to learning new skills in Python and Touchdesigner, and has since incorporated video and animation in more of his creative work.
Jeremy performed at SEAMUS 2021 in both solo sets and as part of TWELVE, a project curated by CCRMA at Stanford University. He was also selected as one of the inaugural members of the Nomadic Soundsters online residency that features members all over the world.
dePrisco holds an Associate’s Degree in Business Administration from The Pennsylvania State University and a BA in Communications Studies (with a concentration in Leadership and Media Influence) from Bloomsburg University, Pennsylvania.